Light
- R. Avery Marshall
- Nov 2, 2019
- 2 min read
Choose three from the following list: Hard, Soft, High Key, Low Key, High Contrast, Low Contrast, Graduated Tonality, Top, Under, Side. Label them accordingly.
1. High Contrast

This image has tons of tonal contrast created by its light sources. Speaking of zones it is cool to see a progression from zone 1 to zone 10 in a single frame. It is cool to see the tension and drama that the contrast adds to the story of the image. We are drawn immediately to the door, but what is lurking beyond those weak lights? This kind of lighting is stark, but isn't always the right choice. Seeing it occur naturally can even be unsettling or frightening.
2. Low Contrast

Low contrast light helps to make these subjects more pleasant and natural. While observing lighting situations I was struck by the way that this room's walls bounced the light to lift shadows and reduce contrast. Minimizing the the highlights in the image I think works here to communicate their kind feelings toward one another and their comfort. The framing isn't the best, but I like the emotion of the image.
3. Graduated Tonality / Hard

Ignoring the slight dutching of this image, the light here progresses from highlights on the right to low light on the left. That gradient of tone along with the harsh(ish) shadows on the walls and floor work together to create a visually interesting image. I really love the way that this single light source bounces around to fill much of the darkness because it leaves the blackness of the doorway unobstructed. Our minds are left to consider what or who may be waiting for us just beyond that threshold.

Good stuff here, my man. Like the contrasty image at the top, the color contrast makes the lighting even more dramatic. And I agree with that low contrast image, it might not be anything crazy, but it matches the tone of the subject.